Art: Sarah Cameron, Friedrich’s Mountain: Botched Romance. firstname.lastname@example.org
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Guest posts on historical German women philosophers at the Genealogies of Modernity project.
Sarah Cameron is a multi-award winning painter and photographer with an MFA from the Slade School of Fine Art and a BFA from Edinburgh College of Art. At the time the pieces for this website were painted, she was working in oils on representations of the human-nature relationship. She was particularly interested in the perceivedContinue reading “Shirking Your Responsibilities”
This little-read short story by Günderrode is loosely based on the events of the 15th century Ottoman Interregnum. The story contains typical Günderrodean themes of friendship and betrayal, as well as the limits of the rightful use of power and the nature of tyranny. The piece also showcases Günderrode’s interest in epic stories and theContinue reading “Karoline von Günderrode, “Musa””
The question of why we should read Karoline von Günderrode (1780-1806) as a philosopher is only a specific instance of the question about the value of studying historical women’s writing in general for its philosophical contributions. The discipline of philosophy, as it is carried out in academic institutions in the west, has historically tended toContinue reading “Why We Should Read Günderrode as a Philosopher”
Sarah Cameron is a multi-award winning painter and photographer with an MFA from the Slade School of Fine Art and a BFA from Edinburgh College of Art. I commissioned this large, untitled piece at a time when Sarah was working, in conceptual terms, on paintings as repositories of emotions and, in technical terms, on theContinue reading “Untitled painting (Günderrode; the unknown)”
Karoline von Günderrode’s “The Apparition” is a ghost story dealing with betrayal and regret, as well as two of Günderrode’s trademark themes: connections between the living and the dead, and the search for knowledge. The piece appeared in Poems and Fantasies: Günderrode’s first, 1804 collection of poetry, short stories, dialogues and Lesedramen (“closet dramas,” orContinue reading “Karoline von Günderrode, “The Apparition””
Karoline von Günderrode killed herself on 26 July 1806, after receiving a letter from the married Georg Friedrich Creuzer ending their affair. This event, and its spectacular circumstances (she stabbed herself in the heart with a silver dagger, on the banks of the Rhine, leaving a poem and a blood-stained handkerchief as a “pledge” forContinue reading “Why I Don’t Want to Talk About Günderrode’s Suicide”
Sarah Cameron is a multi-award winning painter and photographer with an MFA from the Slade School of Fine Art and a BFA from Edinburgh College of Art. At the time the pieces for this website were painted, she was working on representations of the human-nature relationship. She was particularly interested in the perceived boundary betweenContinue reading “Friedrich’s Mountain, Botched Romance”
Karoline von Günderrode’s poem “Don Juan” was published in her first, 1804 collection of poems, dialogues and short stories, Poems and Fantasies. The poem is a highly original take on the Don Juan story and reflects Romantic ideas of gender, of the relationship between art, love and morals, and of social constraints vs individuality. Günderrode’sContinue reading “Karoline von Günderrode, “Don Juan””
Philosophy has always been practiced in a wide variety of genres, both written and spoken. In philosophy programs in the west, we’re often trained to look for philosophy in specific types of writing: structured prose passages that make arguments in an explicit and logical form. But this is not the only way philosophy is done.Continue reading “Philosophy and Genre”